ID: 37921
Omschrijving
Litho Nevercrew Message in a bottle 2015 Streetart
Afmetingen
100 x 70 cm.
Exclusief verzendkosten
Verzenden voor risico van de koper
Message in a Bottle
\"Message in a Bottle\"
Artwork realized to be part of the IKEA Art Event 2015
100x70 cm
In the same collection there are other 11 international street artists: M-City (Poland), Elle (USA), Koralie Supakitch (France), Carolina Falkholt (Sweden), Nuria Mora (Spain), Sobekcis (Serbia), Hua Tunan (China), Erosie (Netherlands), TFreak (Brazil), Eko Nugroho (Indonesia), CRASH (USA)
Since 1996 this talented duo developed the issue of the confrontation. Between two persons, between ideas and between forces. At the same time, they extended this confrontation outside in a direct way; interacting in the public space. This created \"discussion\" is one of the hubs of their work. From this, what they call, \"sections\" and \"living structures\" are formed.
The issues that the NEVERCREW wants to examine are closely connected to the base of their work. Its a view on the human condition, on the relationship between mankind and nature, between mankind and its nature, and to economic and social systems. NEVERCREW works with all these aspects and tries to incorporate them into a broader and more global topic. So eventually it could gradually shows itself as a whole which is readable in every component. They try to create a total vision on which the inevitable relationship between everything, between all parts, the point of view, the location within a system, defines a selection.
To do so, they mainly create mechanisms. They intended both for their purely mechanical or more figurative sense. Mechanical; working structures made of elements connected one to another and articulated structures that recall artificial machinery made by man (with or without a use). And figurative; the physical essence of nature, social relationships and interactions in general.
A good example of this is the work \'message in a bottle\' the duo made for the streetart line of IKEA.
In their realization, the approach of the NEVERCREW is based on selection and composition, on the defining of links between existing elements and parts designed specifically as needed. They choose to mix components from different fields, sometimes almost anonymous and sometimes perfectly recognizable to attract attention and create more immediate connections as in the mural \'compelling machine\'.
n this process time as component becomes important. Considering that all the mechanical objects that they prepare gradually accumulate and become part of an archive. They create a sort of box of mechanical colours to choose from. From here they create other structures as a constant evolution. You can compare this to an alphabet which acquires new letters as new words and new thoughts, increasingly making new sentences and a new communication possible. By doing so, they refer to older works in their most recent work. As example, they create a reference between \'A drop of pink in Isar\'s waters\' (2013) en \'Compelling Machine n°1\' (2014). In this way they create a memory that becomes personal and which gets a global structured basis. The gradual experience that stratifies between causes and effects.
In the works of the NEVERCREW the mechanisms are the trigger. This is the generator from which the rest develops. They consider them as the primary key to understand. This allows them to give a proportion to things. Mechanism, and the whole system they represent, is placed in a broader sense. The group of elements in an artwork is compared with what surrounds them physically or conceptually. The physical place and the viewer are involved on different conceptual levels; logical, emotional and associative. This completes NEVERCREWs structure with its own vision, history and multiple interp...
Afmetingen
100 x 70 cm.
Exclusief verzendkosten
Verzenden voor risico van de koper
Message in a Bottle
\"Message in a Bottle\"
Artwork realized to be part of the IKEA Art Event 2015
100x70 cm
In the same collection there are other 11 international street artists: M-City (Poland), Elle (USA), Koralie Supakitch (France), Carolina Falkholt (Sweden), Nuria Mora (Spain), Sobekcis (Serbia), Hua Tunan (China), Erosie (Netherlands), TFreak (Brazil), Eko Nugroho (Indonesia), CRASH (USA)
Since 1996 this talented duo developed the issue of the confrontation. Between two persons, between ideas and between forces. At the same time, they extended this confrontation outside in a direct way; interacting in the public space. This created \"discussion\" is one of the hubs of their work. From this, what they call, \"sections\" and \"living structures\" are formed.
The issues that the NEVERCREW wants to examine are closely connected to the base of their work. Its a view on the human condition, on the relationship between mankind and nature, between mankind and its nature, and to economic and social systems. NEVERCREW works with all these aspects and tries to incorporate them into a broader and more global topic. So eventually it could gradually shows itself as a whole which is readable in every component. They try to create a total vision on which the inevitable relationship between everything, between all parts, the point of view, the location within a system, defines a selection.
To do so, they mainly create mechanisms. They intended both for their purely mechanical or more figurative sense. Mechanical; working structures made of elements connected one to another and articulated structures that recall artificial machinery made by man (with or without a use). And figurative; the physical essence of nature, social relationships and interactions in general.
A good example of this is the work \'message in a bottle\' the duo made for the streetart line of IKEA.
In their realization, the approach of the NEVERCREW is based on selection and composition, on the defining of links between existing elements and parts designed specifically as needed. They choose to mix components from different fields, sometimes almost anonymous and sometimes perfectly recognizable to attract attention and create more immediate connections as in the mural \'compelling machine\'.
n this process time as component becomes important. Considering that all the mechanical objects that they prepare gradually accumulate and become part of an archive. They create a sort of box of mechanical colours to choose from. From here they create other structures as a constant evolution. You can compare this to an alphabet which acquires new letters as new words and new thoughts, increasingly making new sentences and a new communication possible. By doing so, they refer to older works in their most recent work. As example, they create a reference between \'A drop of pink in Isar\'s waters\' (2013) en \'Compelling Machine n°1\' (2014). In this way they create a memory that becomes personal and which gets a global structured basis. The gradual experience that stratifies between causes and effects.
In the works of the NEVERCREW the mechanisms are the trigger. This is the generator from which the rest develops. They consider them as the primary key to understand. This allows them to give a proportion to things. Mechanism, and the whole system they represent, is placed in a broader sense. The group of elements in an artwork is compared with what surrounds them physically or conceptually. The physical place and the viewer are involved on different conceptual levels; logical, emotional and associative. This completes NEVERCREWs structure with its own vision, history and multiple interp...